Hidden Tracks: Domodossola – Weissmies

by Julian Sartorius

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1.	272m ↗ 500m 03:59	buy track
2.	500m ↗ 1000m 05:48	buy track
3.	1000m ↗ 1500m 04:24	buy track
4.	1500m ↗ 2000m 04:04	buy track
5.	2000m ↗ 2500m 03:57	buy track
6.	2500m ↗ 3000m 04:16	buy track
7.	3000m ↗ 3500m 04:27	buy track
8.	3500m ↗ 4017m 04:02	buy track

about

Julian Sartorius climbs to the heights: on his new "Hidden Tracks" album, the drummer takes the route that leads from the Italian village of Domodossola (272m above sea level) to the peak of Weissmies (4017m above sea level) in the Valais in Switzerland. There is an altitude difference of 3745 metres between these two points.

The much sought-after musician (Sophie Hunger, Matthew Herbert, Kae Tempest, among others) makes these metres in altitude tangible with sounds and tones that he found on this route in the city, villages and nature with his drumsticks - and his recording device. And the higher he climbs, the more minimal the sounds become.

The rhythmically precisely sequenced sound journey visualises our landscape, our living worlds and our nature in an unheard-of way.

credits

released March 15, 2024

Music by Julian Sartorius
Recorded, edited and mixed by Julian Sartorius
Mastered by Oli Bösch at Livingroomstudio
Vinyl cut by Adi Flück at Centraldubs
Graphic design by Silvio Brügger
Photos (headcam videostills) by Julian Sartorius

All the sounds were recorded on the hike and climb from Domodossola (272 metres above sea level) to the summit of Weissmies (4017 metres above sea level) in September 2021.
All things played were found en route and were left in situ. Audio gathered was edited and layered. No electronic effects or sound processing were used.

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© & ℗ by Julian Sartorius and Everest Records, 2024

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about

Julian Sartorius Berne, Switzerland

Drummer, percussionist and artist Julian Sartorius forms sounds into previously unseen shapes. His precise and multi-layered rhythmical patterns are keen excursions into the hidden tones of found objects and prepared instruments, bridging the gap between organic timbres and the vocabulary of electronic music. ... more

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